evomusart 2012: Final CFP and GPEM's special issue announcement

Discussion in 'Scientific Statistics Math' started by Juan Romero, Nov 10, 2011.

  1. Juan Romero

    Juan Romero Guest

    Please distribute
    (Apologies for multiple posting)

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    FINAL CALL FOR PAPERS

    evomusart 2012

    1st International Conference and 10th European Event on Evolutionary
    and Biologically Inspired Music, Sound, Art and Design

    11-13 April 2012, Malaga, Spain


    Part of evo* 2012
    evo*: http://www.evostar.org
    evomusart: http://www.evostar.org/2012/call-for-contributions/evomusart/
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    evomusart 2012 is the tenth European event on Evolutionary Music and
    Art. Following the success of previous events and the importance of
    the field of evolutionary and biologically inspired music, sound, art
    and design, evomusart has became a evo* conference with independent
    proceedings. Thus, evomusart 2012 is the tenth European Event on
    Evolutionary and Biologically Inspired Music, Sound, Art and Design
    and the first conference on the field.

    The use of biologically inspired techniques for the development of
    artistic systems is a recent, exciting and significant area of
    research. There is a growing interest in the application of these
    techniques in fields such as: visual art and music generation,
    analysis, and interpretation; sound synthesis; architecture; video;
    poetry; design; and other creative tasks.

    The main goal of evomusart 2012 is to bring together researchers who
    are using biologically inspired computer techniques for artistic
    tasks, providing the opportunity to promote, present and discuss
    ongoing work in the area.

    The event will be held from 11-13 April, 2012 in Malaga, Spain as part
    of the evostar event.

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    Publication Details
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    Accepted papers will be presented orally at the event and included in
    the evomusart proceedings, published by Springer Verlag in a dedicated
    volume of the Lecture Notes in Computer Science series.

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    POST-CONFERENCE JOURNAL PUBLICATION
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    Authors of selected papers will be invited to submit expanded versions
    of their work for a planned special issue on Evolutionary Art and
    Music of the Springer journal Genetic Programming and Evolvable
    Machines.

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    Topics of interest
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    The papers should concern the use of biologically inspired computer
    techniques - e.g. Evolutionary Computation, Artificial Life,
    Artificial Neural Networks, Swarm Intelligence, other artificial
    intelligence techniques. - in the scope of the generation, analysis
    and interpretation of art, music, design, architecture and other
    artistic fields. Topics of interest include, but are not limited to:

    -- Generation
    - Biologically Inspired Design and Art - Systems that create
    drawings, images, animations, sculptures, poetry, text, designs,
    webpages, buildings, etc.;
    - Biologically Inspired Sound and Music - Systems that create musical
    pieces, sounds, instruments, voices, sound effects, sound analysis,
    etc.;
    - Robotic Based Evolutionary Art and Music;
    - Other related artificial intelligence or generative techniques -
    in the fields of Computer Music, Computer Art;

    -- Theory
    - Computational Aesthetics, Experimental Aesthetics; o Emotional
    Response, Surprise, Novelty;
    - Representation techniques;
    - Surveys of the current state-of-the-art in the area; identification
    of weaknesses and strengths; comparative analysis and classification;
    - Validation methodologies;
    - Studies on the applicability of these techniques to related areas;
    - New models designed to promote the creative potential of
    biologically inspired computation;

    -- Computer Aided Creativity and computational creativity
    - Systems in which biologically inspired computation is used to
    promote the creativity of a human user;
    - New ways of integrating the user in the evolutionary cycle;
    - Analysis and evaluation of: the artistic potential of biologically
    inspired art and music; the artistic processes inherent to these
    approaches; the resulting artifacts;
    - Collaborative distributed artificial art environments;

    -- Automation
    - Techniques for automatic fitness assignment;
    - Systems in which an analysis or interpretation of the artworks is
    used in conjunction with biologically inspired techniques to produce
    novel objects;
    - Systems that resort to biologically inspired computation to perform
    the analysis of image, music, sound, sculpture, or some other types of
    artistic object;

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    Important Dates
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    Submission: 30 November 2011
    Conference: 11-13 April 2012

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    Additional information and submission details
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    Submit your manuscript, at most 12 A4 pages long, in Springer LNCS
    format (instructions downloadable from
    http://www.springeronline.com/sgw/cda/frontpage/0,11855,5-164-2-72376-0,00.html)
    no later than November 30, 2011 to site http://myreview.csregistry.org/evomusart12

    The reviewing process will be double-blind, please omit information
    about the authors in the submitted paper.

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    Programme committee
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    Adrian Carballal, University of A Coruna, Spain
    Alain Lioret, Paris 8 University, France
    Alan Dorin, Monash University, Australia
    Alejandro Pazos, University of A Coruna, Spain
    Amilcar Cardoso, University of Coimbra, Portugal
    Amy K. Hoover, University of Central Florida, USA
    Andrew Brown, Griffith University, Australia
    Andrew Gildfind, Google, Inc., Australia
    Andrew Horner, University of Science & Technology, Hong Kong
    Anna Ursyn, University of Northern Colorado, USA
    Antonino Santos, University of A Coruna, Spain
    Artemis Sanchez Moroni, Renato Archer Research Center, Brazil
    Benjamin Schroeder, Ohio State University, USA
    Bill Manaris, College of Charleston, USA
    Brian Ross, Brock University, Canada
    Carlos Grilo, Instituto Politécnico de Leiria, Portugal
    Christian Jacob, University of Calgary, Canada
    Colin Johnson, University of Kent, UK
    Dan Ashlock, University of Guelph, Canada
    Dan Costelloe, Independent Researcher (Solace One Ltd), Ireland
    Dan Ventura, Brigham Young University, USA
    Daniel Bisig, University of Zurich, Switzerland
    Daniel Jones, Goldsmiths College, University of London, UK
    David Rosenboom, California Institute of Arts, USA
    Douglas Repetto, Columbia University, USA
    Eduardo Miranda, University of Plymouth, UK
    Eelco den Heijer, Vrije Universiteit Amsterdam, Netherlands
    Eleonora Bilotta, University of Calabria, Italy
    Erik Hemberg, University College Dublin, Ireland
    Erwin Driessens, Independent Artist, Netherlands
    Gary Greenfield, University of Richmond, USA
    Gary Nelson, Oberlin College, USA
    Hans Dehlinger, Independent Artist, Germany
    Hernán Kerlleñevich, National University of Quilmes, Argentina
    Ingeborg Reichle, Berlin-Brandenburg Academy of Sciences and
    Humanities, Germany
    J. E. Rowe, University of Birmingham, UK
    James McDermott, University of Limerick, Ireland
    Jane Prophet, Independent Artist, UK
    John Collomosse, University of Surrey, UK
    Jon Bird, University of Sussex, UK
    Jon McCormack, Monash University, Australia
    José Fornari, NICS/Unicamp, Brazil
    Juan Romero, University of A Coruna, Spain
    Kenneth O. Stanley, University of Central Florida, USA
    Luigi Pagliarini, University of Southern Denmark, Italy
    Marcelo Freitas Caetano, IRCAM, France
    Marcos Nadal, University of Illes Balears, Spain
    Maria Verstappen, Independent Artist, Netherlands
    Matthew Lewis, Ohio State University, USA
    Mauro Annunziato, Plancton Art Studio, Italy
    Michael O’Neill, University College Dublin, Ireland
    Mitchell Whitelaw, University of Canberra, Australia
    Nell Tenhaaf, York University, Canada
    Nicolas Monmarché, University of Tours, France
    Oliver Bown, University of Sidney, Australia
    Pablo Gervás, Universidad Complutense de Madrid, Spain
    Palle Dahlstedt, Göteborg University, Sweden
    Paul Brown, University of Sussex, UK
    Paulo Urbano, Universidade de Lisboa, Portugal
    Pedro Cruz, University of Coimbra, Portugal
    Penousal Machado, University of Coimbra, Portugal
    Peter Bentley, University College London, UK
    Peter Cariani, University of Binghamton, USA
    Philip Galanter, Texas A&M College of Architecture, USA
    Rafael Ramirez, Pompeu Fabra University, Spain
    Roger Malina, International Society for the Arts, Sciences and
    Technology, USA
    Ruli Manurung, University of Indonesia, Indonesia
    Scott Draves, Independent Artist, USA
    Simon Colton, Imperial College, UK
    Somnuk Phon-Amnuaisuk, University Tunku Abdul Rahman, Malaysia
    Stephen Todd, IBM, UK
    Takashi Ikegami, Tokyo Institute of Technology, Japan
    Thor Magnusson, Carnegie Mellon University, USA
    Tim Blackwell, Goldsmiths College, University of London, UK
    Troy Innocent, Monash University, Australia
    Usman Haque, Haque Design + Research Ltd, UK/Pakistan
    Vic Ciesielski, RMIT, Australia
    William Latham, University of London, UK
    Yang Li, University of Science and Technology Beijing, China


    Conference chairs

    Juan Romero
    University of A Coruna, Spain
    jj(at)udc.es

    Penousal Machado
    University of Coimbra, Portugal
    machado(at)dei.uc.pt



    Publication chair

    Adrian Carballal
    University of A Coruna, Spain
    adrian.carballal(at)udc.es
     
    Juan Romero, Nov 10, 2011
    #1
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